top of page
Brainmedia

Will we ever be able to see the brain at work? Could it be possible to observe thinking and feeling as if watching a live broadcast from within the human head? Brainmedia uncovers past and present examples of scientists and science educators who conceptualize and demonstrate the active human brain guided by new media technologies.

 

Drawing on original archival material, Brainmedia outlines a new history of "live brains," arguing that practices of - and ideas about - mediation impacted the imagination of seeing the brain at work. Through five carefully researched and illustrated historical case studies, Flora Lysen shows the conceptual but also practical assembling of brains and media: from exhibitions of giant illuminated brain models and staged projections of brainwave recordings; to live televised brain broadcasts, brains hooked up to computers and experiments with "brain-to-brain" synchronization. By combining accounts of scientists examining brains in laboratories with examples of public demonstrations and exhibitions of brain research, Brainmedia casts new light on popularization practices, placing them at the heart of scientific work. The book argues that a vital part of brain research is the performing of knowledge with and through media. This means that the significance attributed to neuroscientific research today also much depends on the changing forms of fascination that ultimately allow for the persistence of promises of seeing the live brain at work.

Brainmedia

  • Flora Lysen

    This book demonstrates how, since the 1920s, fantasies and practices of seeing the 'brain at work' were and still are fundamentally impacted by the rise of new media technologies.

  • Rights Sold

    All rights available
  • Book Details

    Imprint: Bloomsbury Academic
    Publication Date: 25-08-2022
    Format: Hardback
    304 pages
  • About the Author

    Flora Lysen is a historian of science and media and a member of Maastricht University's Science and Technology Studies research group, the Netherlands. Studying how scientific concepts develop and circulate between different disciplinary domains and social spaces, her work focuses on technological sensations and histories of imag(in)ing the body and the brain. Through her scholarly work and by bringing together artists and scientists in collaborative projects, she explores the (popular) mediation of science and imagined scientific futures.

  • Material Available

Related Titles

bottom of page